2016

I didn't paint this work, but it has been such an important image for me. It made me feel normal.

 

 

I had to just do something every day. 96 symbolic holes.

 

The other side of the holes. Paint and ash, with text.

 

The '96 holes' was produced over the days leading up to 31/12/2015, then I realised I had to stop. I began to look 'into the holes', using the

scrim work as the stencil. The Hepworth Project then claimed this piece., 'One is either professional or you're not'. Studying Hepworth led to varied

pieces of work: 5 etchings interpreting sculpture and family, 7 fabric pieces, with text, edged by varying degrees of fray, growing holes, the final series,

3 pieces of work in a padlocked frame, smoke effects and redacted text.

 

 

Life Drawing Classes

 

 

Him and Her Series

 

 

 
         
 

 
         
 

   
         

 

 

White Hearts in the Apple Tree.

 

No Horizon

 

 

The Grief Collages: Someone Tell Me How I Feel

 

 

 

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